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Creating Music from a Place of Absolute Nothingness:
The Origins of Keiji Haino’s Watashi Dake?

This piece draws from an interview conducted by Takeshi Goda with Keiji Haino on January 29, 2017 in Kawagoe.

Over the last 50 years, few musicians or performers have created as monumental and uncompromising a body of work as that of Keiji Haino. Through a vast number of recordings and performances, Haino has staked out a ground all his own—creating a language of unparalleled intensity that defies any simple classification. Continue reading

“Like an Antithetical Keiji Haino”
A conversation with Keiji Haino on his early years and Watashi Dake?

Interview conducted on January 29, 2017 in Kawagoe by Takeshi Goda. English translation and notes by Alan Cummings. H = Keiji Haino G = Takeshi Goda G: How did you first come to perform at Kichijōji Minor? H: At the … Continue reading

1981: AMALGM Issue #7, Pinakotheca Records Newsletter

Images courtesy Satoshi Sonoda. Translations by Taketo Shimada. AMALGM #7, Page 1: Concert listing for one of Haino’s earliest collaborations with a non-Japanese musician. As a result of the meeting, Frith would become one of the first to instroduce the Watashi … Continue reading